A Treatise of Human Nature Being an Attempt to Introduce the Experimental Method Into Moral Subjects; and Dialogues Concerning Natural Religion — Inside the Classic

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Hume, David, 1711-1776, Green, Thomas Hill, 1836-1882 [Editor], Grose, Thomas Hodge, 1845-1906 [Editor] Project Gutenberg 2020 Not confirmed
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Green's editorial introductions to Hume's Treatise examine the philosopher's theory of ideas, general names, and predication, focusing on the tension between impression and thought. The analysis traces how Hume's account of individuality and abstraction shapes his empirical method, with close attention to the role of custom and the imagination in forming general propositions.
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a of existence, whether by the way of sensation or by that of reflection, and no ideas that are not ‘in the mind.’ (Book II. chap. ix. sec. 3, &c.)

Existence as the mere presence of a feeling.

30. The designation of the idea of existence, then, as ‘suggested by every idea within,’ covers every possible suggestion. It can mean nothing else than that it is given in every act and mode of consciousness; that it is inseparable from feeling as such, being itself at the same time a distinct simple idea. This, we may remark by the way, involves the conclusion that every idea is composite, made up of whatever distinguishes it from other ideas together with the idea of existence. Of this idea of existence itself, however, it will be impossible to say anything distinctive; for, as it accompanies all possible objects of consciousness, there will be no cases where it is absent to be distinguished from those where it is present. Not merely will it be undefinable, as every simple idea is; it will be impossible ‘to send a man to his senses’ (according to Locke’s favourite subterfuge) in order to know what it is, since it is neither given in one sense as distinct from another, nor in all senses as distinct from any other modification of consciousness. Thus regarded, to treat it as a simple idea alongside of other simple ideas is a palpable contradiction. It is the mere ‘It is felt,’ the abstraction of consciousness, no more to be reckoned as one among other ideas than colour in general is to be co-ordinated with red, white, and blue. Whether I smell a rose in the summer or recall the smell in winter; whether I see a horse or a ghost, or imagine a centaur or think of gravitation or the philosopher’s stone--in every case alike the idea or ‘immediate object of the mind’ _exists_. Yet we find Locke distinguishing between real ideas, as those that ‘have a conformity with the existence of things,’ and fantastic ideas, as those which have no such conformity (Book II. chap. xxx. sec. 1); and again in the fourth book (chap. i. sec. 7, chap. iii. sec. 21, &c.) he makes the perception of the agreement of an idea with existence a special kind of knowledge, different from that of agreement of idea with idea; and having done so, raises the question whether we have such a knowledge of existence at all, and decides that our knowledge of it is very narrow.

Existence as reality.

31. How are such a distinction and such a question to be reconciled with the attribution of existence to every idea? The answer of course will be, that when he speaks of ideas as not conforming to existence, and makes knowledge or the agreement of ideas with each other something different from their agreement with existence, he means and generally says ‘real actual existence,’ or the ‘existence of _things_,’ _i.e._ an existence, whatever it be, which is opposed to mere existence in consciousness. Doubtless he so means, but this implies that upon mere consciousness, or the simple presence of ideas, there has supervened a distinction, which has to be accounted for, of ideas from things which they represent on the one hand, and from a mind of which they are affections on the other. Even in the passage first quoted (Book II. chap. vii. sec. 7), where existence is ascribed to every idea, on looking closely we find this distinction obtruding itself, though without explicit acknowledgment. In the very same breath, so to speak, in which the idea of existence is said to be suggested by every idea, it is further described as being either of two considerations--either the consideration of an idea as actually in our mind, or of a thing as actually without us. Such considerations at once imply the supervention of that distinction between ‘mind’ and ‘thing,’ which gives a wholly new meaning to ‘existence.’ They are not, in truth, as Locke supposed, two separate considerations, one or other of which, as the case may be, is interchangeable with the ‘idea of existence.’ One is correlative with the other, and neither is the same as simple feeling. Considered as actually in the mind, the feeling is distinguished from the mind as an affection from the subject thereof, and just in virtue of this distinction is referred to a thing as the cause of the affection, or becomes representative of a thing. But for such consideration there would for us, if the doctrine of ideas means anything, be no ‘thing without us’ at all. To ‘consider things as actually without us’ is to consider them as causes of the ideas in our mind, and this is to have an idea of existence quite different from mere consciousness. It is to have an idea of it which at once suggests the question whether the existence is real or apparent; in other words, whether the thing, to which an affection of the mind is referred as its cause, is really its cause or no.

By confusion of these two meanings, reality and its conditions are represented as given in simple feeling.

32. Between these two meanings of existence--its meaning as interchangeable with simple consciousness, and its meaning as reality--Locke failed to distinguish. Just as, having announced ‘ideas’ to be the sole ‘materials of knowledge,’ he allows himself at his convenience to put ‘things’ in the place of ideas; so having identified existence with momentary consciousness or the simple idea, he substitutes for existence in this sense _reality_, and in consequence finds reality given solely in the simple idea. Thus when the conceptions of cause or substance, or relations of any kind, come under view, since these cannot be represented as given in momentary consciousness, they have to be pronounced not to exist, and since existence is reality, to be unreal or ‘fictions of the mind.’ But without these unreal relations there could be no knowledge, and if they are not given in the elements of knowledge, it is difficult to see how they are introduced, or to avoid the appearance of constructing knowledge out of the unknown. Given in the elements of knowledge, however, they cannot be, if these are simple ideas or momentary recurrences of the ‘it is felt.’ But by help of Locke’s equivocation between the two meanings of existence, they can be covertly introduced as the real. Existence is given in the simple idea, existence equals the real, therefore the real is given in the simple idea. But think or speak of the real as we will, we find that it exhibits itself as substance, as cause, and as related; _i.e._ according to Locke as a ‘complex’ or ‘invented’ or ‘superinduced’ idea.

Yet reality involves complex ideas which are made by the mind.

33. In the second book of his Essay, which treats of ideas, he makes the grand distinction between ‘the simple ideas which are all from things themselves, and of which the mind can have no more or other than what are suggested to it,’ and the ‘complex ideas which are the workmanship of the mind.’ (Book II. chap. xii.) In his account of the latter there are some curious cross-divisions, but he finally enumerates them as ideas either of _modes_, _substances_, or _relations_. The character of these ideas he then proceeds to explain in the order given, one after the other, and as if each were independent of the rest; though according to his own statement the idea of mode presupposes that of substance, and the idea of substance involves that of relation. ‘Modes I call such complex ideas, which, however compounded, contain not in them the supposition of subsisting by themselves, but are considered as dependencies on, or affections of, substances; such are the ideas signified by the words ‘triangle,’ ‘gratitude,’ ‘murder,’ &c. Of these there are two sorts. First, there are some which are only variations or different combinations of the same simple idea without the mixture of any other--as a dozen, or score--which are nothing but the ideas of so many distinct units added together; and these I call simple modes, as being contained within the bounds of one simple idea. Secondly, there are others compounded of simple ideas of several kinds, put together to make one complex one; e. g. beauty, ... and these I call _mixed modes_.’ (Book II. chap. xii. secs. 4, 5.) So soon as he comes to speak more in detail of simple modes, he falls into apparent contradiction with his doctrine that, as complex ideas, they are the mere workmanship of the mind. All particular sounds and colours are simple modes of the simple ideas of sound and colour. (Book II. chap, xviii. sees. 3, 4.) Again, the ideas of figure, place, distance, as of all particular figures, places, and distances, are simple modes of the simple idea of space. (Book II. chap, xiii.) To maintain, however, that the ideas of space, sound, or colour _in general_ (as simple ideas) were taken from things themselves, while those of _particular_ spaces, sounds, and colours (as complex ideas) were ‘made by the mind,’ was for Locke impossible. Thus in the very next chapter after that in which he has opposed all complex ideas, those of simple modes included, as made by the mind to all simple ones as taken from things themselves, he speaks of simple modes ‘either _as found in things existing_, or as made by the mind within itself.’ (Book II. chap. xiii. sec. 1.) It was not for Locke to get over this confusion by denying the antithesis between that which the mind ‘makes’ and that which it ‘takes from existing things’ and for the present we must leave it as it stands. We must further note that a mode being considered ‘as an affection of a substance,’ space must be to the particular spaces which are its simple modes, as a substance to its modifications. So too colour to particular colours, &c., &c. But the idea of a substance is a complex idea ‘framed by the mind.’ Therefore the idea of space--at any rate such an idea as we have of it when we think of distances, places, or figures, and when else do we think of it at all?--must be a complex and artificial idea. But according to Locke the idea of space is emphatically a simple idea, given immediately _both_ by sight and touch, concerning which if a man enquire, he ‘sends him to his senses.’ (Book II. chap, v.)

Such are substance and relation which must be found in every object of knowledge.

34. These contradictions are not avoidable blunders, due to carelessness or want of a clear head in the individual writer, ‘The complex idea of substance’ will not be exorcised; the mind will show its workmanship in the very elements of knowledge towards which its relation seems most passive--in the ‘existing things’ which are the conditions of its experience no less than in the individual’s conscious reaction upon them. The interrogator of the individual consciousness seeks to know that consciousness, and just for that reason must find in it at every stage those formal conceptions, such as substance and cause, without which there can be no object of knowledge at all. He thus substantiates sensation, while he thinks that he merely observes it, and calls it a sensible thing. Sensations, thus unconsciously transformed, are for him the real, the actually existent. Whatever is not given by immediate sense, outer or inner, he reckons a mere ‘thing of the mind.’ The ideas of substance and relation, then, not being given by sense, must in his eyes be things of the mind, in distinction from, really existent things. But speech bewrayeth him. He cannot state anything that he knows save in terms which imply that substance and relation are in the things known; and hence an inevitable obtrusion of ‘things of the mind’ in the place of real existence, just where the opposition between them is being insisted on. Again, as a man seems to observe consciousness in himself and others, it has nothing that it has not received. It is a blank to begin with, but passive of that which is without, and through its passivity it becomes informed. If the ‘mind,’ then, means this or that individual consciousness, the things of the mind must be gradually developed from an original passivity. On the other hand, let anyone try to know this original passive consciousness, and in it, as in every other known object-matter, he must find these things of the mind, substance and relations. If nature is the object, he must find them in nature; if his own self-consciousness, he must find them in that consciousness. But while nature knows not what is in herself, self-consciousness, it would seem, _ex vi termini_, does know. Therefore not merely substance and relation must be found in the original consciousness, but the knowledge, the ideas, of them.

Abstract idea of substance and complex ideas of particular sorts of substance.

35. As we follow Locke’s treatment of these ideas more in detail, we shall find the logical see-saw, here accounted for, appearing with scarcely a disguise. His account of the origin of the ‘complex ideas of substances’ is as follows. ‘The mind being furnished with a great number of the simple ideas, conveyed in by the senses, as they are found in exterior things, or by reflection on its own operations, takes notice also that a certain number of these simple ideas go constantly together; which being presumed to belong to one thing, and words being suited to common apprehensions and made use of for quick despatch, are called, so united in one subject, by one name; which by inadvertency we are apt afterwards to talk of and consider as one simple idea, which indeed is a complication of many ideas together; because, as I have said, not imagining how these simple ideas can subsist by themselves, we accustom ourselves to suppose some _substratum_, wherein they do subsist, and from which they do result; which therefore we call _substance_.’ (Book II. chap, xxiii. sec. 1.) In the controversy with Stillingfleet, which arose out of this chapter, Locke was constrained further to distinguish (as he certainly did not do in the original text) between the ‘ideas of distinct substances, such as man, horse,’ and the ‘general idea of substance.’ It is to ideas of the former sort that he must be taken to refer in the above passage, when he speaks of them as formed by ‘complication of many ideas together,’ and these alone are _complex_ in the strict sense. The _general_ idea of substance on the other hand, which like all general ideas (according to Locke) is made by abstraction, means the idea of a ‘substratum which we accustom ourselves to suppose’ as that wherein the complicated ideas ‘do subsist, and from which they do result.’ This, however, he regards as itself one, ‘the first and chief,’ among the ideas which make up any of the ‘distinct substances.’ (Book II. chap. xii. sec. 6.) Nor is he faithful to the distinction between the general and the complex. In one passage of the first letter to Stillingfleet, he distinctly speaks of the _general_ idea of substance as a ‘_complex_ idea made up of the idea of something plus that of relation to qualities.’ [1] Notwithstanding this confusion of terms, however, he no doubt had before him what seemed a clear distinction between the ‘abstract general idea’ of substance, as such, _i.e._ of ‘something related as a support to accidents,’ but which does not include ideas of any particular accidents, and the composite idea of a substance, made up of a multitude of simple ideas plus that of the something related to them as a support. We shall find each of these ideas, according to Locke’s statement, presupposing the other.

[1] Upon a reference to the chapter on ‘complex ideas’ (Book II. chap, xii.), it will appear that the term is used in a stricter and a looser sense. In the looser sense it is not confined to _compound_ ideas, but in opposition to simple ones includes those of relation and even ‘abstract general ideas.’ When Locke thinks of the _general_ idea of substance apart from the complication of accidents referred to it, he opposes it to the complex idea, according to the stricter sense of that term. On the other hand, when he thinks of it as ‘made up’ of the idea of _something_ plus that of relation to qualities (as if there could be an idea of something apart from such relation), it seems to him to have two elements, and therefore to be complex.

The abstract idea according to Locke at once precedes and follows the complex.

36. In the passage above quoted, our aptness to consider a complication of simple ideas, which we notice to go constantly together, as one simple idea, is accounted for as the result of a presumption that they belong to one thing. This presumption is again described in the words that ‘we accustom ourselves to suppose some substratum, wherein they do subsist, and from which they do result; which therefore we call substance.’ Here it is implied that the idea of substance, _i.e._ ‘the general idea of something related as a support to accidents,’ is one gradually formed upon observation of the regular coincidence of certain simple ideas. In the sequel (sec. 3 of the same chapter I. xxiii.) we are told that such an idea--‘an obscure and relative idea of substance in general--being thus made, we come to have the ideas of particular sorts of substances by collecting such combinations of simple ideas as are, by experience and observation of men’s senses, taken notice of to exist together.’ Thus a _general_ idea of substance having been formed by one gradual process, ideas of particular sorts of substances are formed by another and later one. But then the very same ‘collection of such combinations of simple ideas as are taken notice of to exist together,’ which (according to sec. 3) constitutes the later process and follows upon the formation of the _general_ idea of substance, has been previously described as preceding and conditioning that formation. It is the complication of simple ideas, noticed to go constantly together, that (according to sec. 1) leads to the ‘idea of substance in general.’ To this see-saw between the process preceding and that following the formation of the idea in question must be added the difficulty, that Locke’s account makes the general idea precede the particular, which is against the whole tenor of his doctrine of abstraction as an operation whereby ‘the mind makes the particular ideas, received from particular objects, to become general.’ (Book II. chap. xi. sec. 9.)

Reference of ideas to nature or God, the same as reference to substance.

37. It may be said perhaps that Locke’s self-contradiction in this regard is more apparent than real; that the two processes of combining simple ideas are essentially different, just because in the later process they are combined by a conscious act of the mind as accidents of a ‘something,’ of which the _general_ idea has been previously formed, whereas in the earlier one they are merely presented together ‘by nature,’ and, _ex hypothesi_, though they gradually suggest, do not carry with them any reference to a ‘substratum.’ But upon this we must remark that the presentation of ideas ‘by nature’ or ‘by God,’ though a mode of speech of which Locke in his account of the origin of knowledge freely avails himself, means nothing else than their relation to a ‘substratum,’ if not ‘wherein they do subsist,’ yet ‘from which they do result.’ If then it is for consciousness that ideas are presented together by nature, they already carry with them that reference to a substratum which is supposed gradually to result from their concurrence. If it is not for consciousness that they are so presented, if they do not _severally_ carry with them a reference to ‘something,’ how is it they come to do so in the gross? If a single sensation of heat is not referred to a hot thing, why should it be so referred on the thousandth recurrence? Because perhaps, recurring constantly in the same relations, it compels the inference of permanent antecedents? But the ‘same relations’ mean relations to the same things, and the observation of these relations presupposes just that conception of _the thing_ which it is sought to account for,

But it is explicitly to substance that Locke makes them refer themselves.

Thomas Hill Green's introductions to Hume's Treatise open with a pointed editorial decision: to treat the Treatise as the definitive expression of Hume's philosophy, despite Hume's later preference for the Inquiries. Green justifies this by arguing that the Treatise reveals the underlying structure of Hume's thought more fully than the revised works. The introductions are not a neutral summary but a critical engagement, dissecting Hume's arguments on ideas, general names, and the nature of predication. Green's method is to move from Hume's own wording to its logical consequences, often exposing what he sees as equivocations or gaps.

The Structure of the Editorial Project

The edition is organized into continuous introductions rather than scattered footnotes, a deliberate choice to present explanation and criticism as a unified argument. Green alone wrote the introductions to Volumes I and II, while Grose handled Volume III and text revision. The editors aimed to avoid the 'inconveniences' of commentary on philosophical writers by keeping footnotes almost entirely to references, distinguished from Hume's own notes. This structural decision shapes how the reader encounters Hume: the introductions frame the Treatise as a coherent system to be evaluated, not merely annotated. The paragraph numbering follows Nettleship's edition, and Green's marginal notes are placed as captions above relevant paragraphs, creating a layered reading experience where editorial commentary visually precedes Hume's text.

Recurring Images: Custom, Imagination, and the Sleeping Custom

Green repeatedly returns to the image of 'sleeping custom' to describe how the mind moves from a particular idea to a general application. In his analysis of general names, he quotes Hume's notion that if a predicate like 'grey-haired' were attached to 'the horse,' the 'sleeping custom' of applying the name without reference to colour would 'return upon me and correct me.' This metaphor of awakening recurs as a way to explain how the mind regulates general statements. Green also emphasizes the imagination's freedom to combine but not invent—a constraint that ties all ideas back to impressions. The interplay between custom as a passive habit and imagination as an active faculty becomes a central image in Green's critique of Hume's theory of abstraction.

Movement Between Scenes: From Feeling to Thought

Green traces a critical movement in Hume's philosophy: the step 'from feeling to thought' that Hume allegedly ignored. He argues that Hume equivocates between the 'singleness of a feeling in time' and the 'individuality of the object of thought as a complex of relations.' This movement is not just conceptual but structural in Green's exposition—he shifts between analyzing Hume's account of impressions and ideas, then to general names, then to predication. The excerpts show Green moving from a discussion of the predicate in propositions to the nature of the subject, then to the role of individuality. This back-and-forth mirrors the dialectical style of the introductions, where each concept is tested against the next, and Hume's own transitions are scrutinized for consistency.

Green's Use of Hume's Own Examples

Green frequently anchors his critique in concrete examples drawn from Hume, such as the 'horse' and 'grey-haired' case. He uses these to illustrate how Hume's theory of general names works in practice—and where it fails. For instance, when a predicate like 'four-footed' is applied to 'the horse,' custom does not correct it, but with 'grey-haired' it does. Green seizes on this asymmetry to question whether the subject can represent a set of qualities as the predicate does. He also invokes Locke's definition of knowledge as 'perception of relation between ideas,' noting that Hume's account of the subject must involve 'other qualities' beyond those in the predicate. These examples are not decorative; they are the evidence for Green's argument that Hume's doctrine of individuality undermines predication itself.

Green's introductions demand careful reading: they are not a guide but a philosophical argument in their own right. Readers should attend to how Green structures his critique around specific passages from Hume, and note that his editorial decisions—such as the placement of marginal notes—shape the interpretive experience. The introductions are best approached as a companion that questions Hume's assumptions rather than simply explaining them, making them valuable for those interested in the history of philosophical commentary as much as in Hume's own work.

The rain kept time with Hume’s pages, his careful doubts about how impressions blend into thought. I kept drifting, though, to a softer worry—whether our certainties are ever truly ours. That afternoon, I found myself reaching instead for The Problems of Philosophy — Context and Discussion, its questions gentler, more patient, like a warm hand on a cold window.

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    Regina Vincent - 1 month ago
    {'content': "Hume's magnum opus is a profound exploration of human understanding, emotions, and morality. The book challenges conventional wisdom with rigorous empiricism, laying the groundwork for modern cognitive science and philosophy. The inclusion of the Dialogues on Natural Religion adds a brilliant critique of religious arguments, making this a must-read for anyone interested in philosophy, psychology, or the history of ideas. The writing is dense but rewarding, offering timeless insights into human nature."}

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    David Jane Hudson - 3 weeks ago
    {'content': "While Hume's contributions to philosophy are undeniable, this edition suffers from an outdated and unwieldy format. The text is overly dense, with convoluted sentences that can alienate modern readers. The dialogues, though interesting, are inserted awkwardly, disrupting the flow. A more accessible introduction or contemporary commentary would greatly improve the reading experience, as the raw text feels dry and inaccessible without prior knowledge."}

  • ...
    James Mora - 1 week ago
    {'content': "The book is a scholarly treasure, offering a deep dive into Hume's empiricist philosophy and his critique of religion. The ideas are foundational, but the prose is challenging and often repetitive, requiring substantial patience. If you're new to philosophy, this may be a tough start, but for those willing to invest time, the insights into human cognition and moral psychology are invaluable."}


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